… Yet, I would do it all over again in a hot second, mistakes and doldrums and breakdowns and all. Sometimes I could not tell you exactly why, especially when it feels pointless and pitiful, like Sisyphus with cash-flow problems. Other days, though, my writing is like a person to me – the person who, after all these years, still makes sense to me. ~ Anne Lamott, bird by bird
For the last few days, I’ve been deep in the novel-revision trenches. Having committed to my readers that I’d get them my manuscript this week (after missing my original self-imposed deadline of September 30th), I’ve been buckling down. Instead of doing my yoga, or meeting my other commitments, or keeping in touch, or eating, or brushing my teeth, I’ve been revising. I’ve reread every page I don’t know how many times, gone over every scene, every sentence, every word.
Aloud.
I’ve paced and mumbled and pulled out my hair. I’ve written myself post-it note reminders in the middle of the night that in the morning I could not decipher. (I hope those weren’t my best ideas.) On the back of a Safeway receipt, I wrote, The streetlight is important, having realized it as I slid my ATM card through the scanner at the checkout stand.
On Monday, near the end of my manuscript, I questioned whether I’d adequately justified the irrational actions of a rational character. Deciding that I hadn’t, I went back to find the places where I could pave the way more clearly, and while I was there, I found two chapters that, if split and interspersed, would move more briskly, build more tension. I printed the pages, wrote notes in the margins, circled passages, drew arrows. At one point, I had three versions of my manuscript open on the computer and in various stages of dissection.
I was frazzled, lost to the physical world around me, playing with language and plot and character and pacing, and when I finished I was exhausted. And wired. And rarefied. And I thought this…
I’m never more a writer than when I write.
It sounds funny. Obvious. But writers are notorious for not writing, and I’m no exception. Even though not writing makes me feel guilty and irritable and lesser and fluish, I sometimes avoid it. Michael Chabon has written that every work of art is an “act of hopeless optimism in the service of bottomless longing.” I agree. And frankly there are days when cleaning the refrigerator, and walking the dog, and rearranging all the furniture seem preferable to yet another day of hopeless optimism and bottomless longing.
And yet…
Monday was awesome. And Tuesday was pretty great too, and the truth is, even without the promise of publication, I’d rather be pulling my hair out searching for the best phrase, the perfect arc, the right narrative shape, thrust, pace, voice. I’d rather be writing than… well, anything.
Yesterday I got this text from my son who will one day be a big-time filmmaker:
So here we are, waiting for an unscheduled train that might never come so that we can get that perfect movie shot, and I find myself realizing that this is what I live for… sitting at a relentlessly sunny train station for an hour to get ten seconds of artistic perfection. This is the life I want.
I texted back: Yeah. I get that.


Wild