Author Archives: j

Body math

I felt awful. Inadequate. Less than human. So I ate. A lot. Then I’d feel worse. So I’d eat more. Then I starved myself. Attempted to throw up when I did eat. I punched and punished my body. I HATED it.

The quote above is from Allyssa Marie Milan’s piece, “One body’s journey: Removing the poison, growing through pain,” which I read Monday on Roots of She and have been thinking about ever since. In her post (which you should read), Allyssa tells about the cruelty she’s endured because of her size – insults yelled from cars; trash hurled at her on the bus, at the lunch table, in the classroom; sneers and snickers from the clerks in clothing stores.

She tells about an incident when she was fifteen, four older teenagers in a jeep, slowing down to tell her she’s way too fat to be wearing a skirt. I read that and for a minute I was so angry I had to stop. In the pause, I imagined Allyssa – or maybe it was half memory, myself at fifteen – humming inside, alive and reckless and wide open… and oh so easily crushed.

~~~~~

I keep thinking about how narrow our definition of physical beauty is, how in our obsession with a crazy sort of body math, we consider the ratio of hips to waist to chest, the proportionate length of arms and legs, cup size independent of everything else. We miss the more complicated geometry of necks and shoulders and elbows and chins, the astonishing mechanics of wrists and ankles, the disarming logic of certain smiles.

I don’t know how easily we can change what we’re attracted to, but I know our brains are malleable. I know an old brain can learn new tricks, and so we can begin by teaching our brains to tap into our hearts when we gaze out at the world.

~~~~~~

I wasn’t fifteen. I was nineteen. That’s when I began starving myself.

In the morning, I would buy myself a bran muffin, bring it to my desk, and cut it into eight pie-shaped pieces. It was the only thing I allowed myself to eat all day, so I spread it out, a piece every few hours. The goal was to have pieces left over. The more pieces I threw away at the end of the day, the bigger my internal gold star. Sometimes, I threw all eight pieces away,  and on those days, despite the raging fatigue and headaches and chronic stomach pain, I felt happy.

Sometimes, self-preservation would kick in and I’d cook myself a meal. Rice or soup, lettuce inside a tortilla. Occasionally, I’d keep the meal down, but not usually. Usually, overcome with guilt, I’d force myself to vomit it back up, most of it undigested. I cried through the whole process – making the meal, eating it, vomiting it out. I cried as I hurried back onto the scale to see what damage I’d done.

This went on for almost two years, until finally I got sick and went to a doctor and he told me I had an ulcer. He explained to me that our stomachs produce acids, especially when we’re under stress. If we eat, the food in our stomachs gives the acid something to break down. If we don’t, the acid goes to work on our stomach walls. (Or at least that’s how I remember him explaining it to me.)

“Do you eat?” he asked me, suspiciously.

“Of course, I eat,” I said, and then I went home and cried because I knew I was out of control. I couldn’t remember the last time I’d thought of food as anything other than the enemy. I already knew I was fat. Now I was sick, and part of the cure was to eat.

I was five foot six and 100 pounds.

As it turned out, that was the first step of my recovery, though it would take many years and many setbacks and many interventions for me to get to a healthy place. Even now I struggle with dangerous impulses. When I feel overwhelmed or scared, my first instinct is to stop eating. My second, and the one that always wins now, is to work through it on the mat or on the trail or with my friends or with my family. I ground myself in the physicality of my world.

~~~~~~

I regret the years I spent trapped in that place, hating my body, my appetites, my life, trying to – quite literally – be smaller, be less than. Reading Allyssa’s story, I felt such love and admiration for her. Such recognition and gratitude. I know it was a scary post to write, just as I know there will be people who read her and feel less alone. Less afraid.

I think there is power in sharing our stories, in letting each other in, in being vulnerable and broken open the way that I was when I read Allyssa’s words. I think this is how our notions about beauty and love and strength and vulnerability get changed. By sharing. By giving each other permission to be confused and imperfect. By telling each other again and again that it’s our imperfections that make us interesting… and, yes, beautiful.

What do you think?

So create

“When you don’t create things, you become defined by your tastes rather than ability. Your tastes only narrow & exclude people. So create.” 
~ Why The Lucky Stiff

A friend shared this quote with me. It was tweeted by a guy who called himself “Why The Lucky Stiff.” I know. It’s quite an alias, and the guy was, apparently, quite a computer programmer (prolific writer, cartoonist, musician, artist). He’s very enigmatic and mysterious, and I spent way too much time learning about him and his virtual disappearance in August, 2009.

But this post isn’t about him. It’s about that quote, which has been rolling around in my head ever since I first read it. It feels very powerful to me, even though I’m not sure what Why meant when he wrote it.

Here’s my stab at it though…

Creatives need to create – to feel whole, to feel purposeful, to feel alive. Every writer I’ve ever known feels terrible when they aren’t writing. And maybe “terrible” isn’t even a strong enough word because I’m not sure it gets at the guilt, self-loathing and existential angst that writers who aren’t writing face every day. I’m going to go out on a limb and say that this is true of all artists. Painters need to paint, musicians need to play, dancers need to dance.

When we don’t, we must define ourselves by lesser things – our “tastes,” which are, by definition, narrow and exclusionary. For example, if I say that I loved, loved, loved the Twilight movies, I will find my tribe, no doubt, but I will also lose a bunch of people, because that’s how tastes work. We naturally align ourselves with like-minded beings and to some degree judge the ones that don’t share our preferences.

I sincerely believe the reaction would be different if I were to say that I made the Twilight movies. Even if you didn’t like them, you might be interested in how I got into making movies, what drew me to the Twilight project, what’s next on my obviously enormously exciting horizon.

If someone tells me that they read mystery novels, our discussion will be short. I don’t read mystery novels, and I can’t think of very much to say on the subject. On the other hand, if they say they write mystery novels, I’m suddenly full of interest. I want to know if they’ve been published, how many books they’ve written, how does one write a mystery – beginning to end, or the other way around. I’m interested in the process, the experience of being a mystery writer.

There is a certain excitement around the act of creation, almost no matter what is being created. “I made a film.” “I painted a portrait.” “I started a company.” I danced, acted, sewed, knitted, wrote, built, launched… I created. There is passion there, and it’s the passion as much as the achievement itself that is fascinating, big, inclusive.

Of course I’m not saying the reason to create is so that we can be more interesting at parties; that’s just a bonus. I’m saying (or I think Why was saying) that in the act of creation we expand ourselves. We give expression to our ideas and passions, and in bringing them into the world, we are able to connect with each other; in the words of Michael Chabon, “Every work of art is one half of a secret handshake, a challenge that seeks the password, a heliograph flashed from a tower window, an act of hopeless optimism in the service of bottomless longing.”

Yeah. It’s like that… so create.

I’d love to hear your take on the quote, if you like it or don’t, what you think it means.

(Important Note: I’ve never seen or read Twilight. I have no opinion.
Please don’t yell at me.)

Poetry, pirates and zombie coffee bunnies

A few days ago, a friend wrote to ask me how I was doing and what I was working on. I responded with a big, crazy list that made me feel two things: a) what a fun time this is, and b) holy shit, I better get crackin’.

So… I’m crackin’.

But here’s some cool stuff for you while I’m keeping my nose to the grindstone…

~~~~~

I added a doodles page to Zebra Sounds! I’m so excited about this. Go, gaze, comment, let your imagination spin out, and if you’re really inspired (or just love me), doodle me a picture!

On a related note, my astonishingly talented friend Pam Carlson is drawing a doodle a day. How great is that? You can see her doodles by following her on Twitter, @pcarlson001. Or you can keep an eye on her here because I keep stealing all my favorites. Like this one…

… and this one (which is a doodle of Pam protecting her “me-time” like a pirate, sword in mouth)…

(Note: There is a doodle love gallery at A Human Thing too, so if you feel like doodling some love, I can give it a good home.)

~~~~~

This picture, from the amazing Marcie Scudder, delights me.

The next act, a poem by Samantha Reynolds (aka, Bentlily), makes my insides hum.

And this one, untitled, from (birthday girl) Julia Fehrenbacher, is GORGEOUS.

~~~~~

I could go on and on, but I won’t. I’m supposed to be buckling down. I leave you with this, which I doodled just for you last night.

xo

My Valentine’s Date with Sugar

On Valentine’s Day, I went to The Rumpus’s coming out party for (Dear) Sugar. A couple of hours before the party, because I was brave enough to ask and she was generous enough to say yes, I got to sit down with her one-on-one and ask questions about being Sugar and coming out and what it all means to Cheryl Strayed (who, now we all know, is Sugar).

Anyone who’s been reading my blog for a while knows how I feel about her, how wise and kind and utterly badass I think she is. I’m honored she shared part of her big day with me. I wrote about it all on Used Furniture Review. My essay is “Sugar Love: Dispatches From A Coming Out Party.” Go, read it; I tried hard to write like a motherfucker.

I’ll be back here over the weekend with a little surprise for you.

xo

p.s. Cheryl’s memoir, WILD, is coming out March 20, 2012. It’s one of the most anticipated releases of the year. I’ve read it and it rearranged my heart. I’ll be interviewing her for that too. There will be a Sugar book coming out July 10, 2012. I’m VERY excited.

 

This one is a poem

On this, my last post before Valentine’s Day, I wrote you a poem…

I know it’s a little hard to read, especially that last line, so here it is all typed out…

If I loved you, I would tell you this.

I am an emotional creature,
running with scissors
after dark,
attempting
self-help
during
cocktail hour under the tree of forgetfulness.

You are
the history of love,
wild
varieties of disturbance,
the feast of love,
a map of the world,
a good hard look,
the chronology of water,
a whack on the side of the head.

And…
no one belongs here more than you.

xo

 

How the pendulum swings

1.

I’ve written about the idea of balance before, usually work-life balance (as if they are separate entities). Lately I find myself contemplating (and by “contemplating,” I mean stressing over, discussing endlessly, writing about, and wrestling with) the balance between connection and solitude.

I love connection. I crave it. After having spent most of my adult life battling my (at times debilitating) shyness, I’ve spent the last few years ditching the shy girl, wading out into the currents of my life as if I believe I’m as fearless as I pretend to be. The funny thing about acting brave is that it forces you to be brave. It’s been an amazing, bruising, awkward and often embarrassing time for me. I never, ever want to go back.

And yet…

At the risk of beating a dead metaphor, I do sometimes feel caught up in the rapids of so many smart, creative, fascinating people doing smart, creative, fascinating things. The number of hours I have in a day never changes, and it seems no matter how careful I am with them, there is always (ALWAYS!) one more blog to read, one more person to meet with, one more worthy cause to embrace.

2.

I have two friends on opposite ends of the connection-solitude divide. One is absolutely connected, plugged in, aware. She works for a non-profit, keeps up with what’s going on in the world, reads an astounding number of blogs, essays, articles and books. She’s an involved mother of a teenager. She goes on walks with her husband every evening. I know she makes time for her friends because I’m one of them.

Feeling myself to be often on the ragged edge of overload, I asked her how she does it and it was as if I’d pulled off her superhero cape. “Seriously, j,” she said, “I’m losing my mind. Something’s gotta give.”

My other friend has some very internal work to do. He’s pulled away from all his connections. He has his (sound and soulful) reasons for doing that, but it’s left him feeling dislocated, adrift and out of touch. He’s staying clear of the yucky stuff – the big, bad, stressful stuff – it’s true, but he’s also missing out on the tiny, brave and beautiful things that make up the lives of the people he loves, or could love, if he were here among us to see them.

3.

The truth is, we humans need to feel both connectedness and solitude. Author Susan Cain says we “have two contradictory impulses: we love and need one another, yet we crave privacy and autonomy. “

To be our best, most loving and creative selves, we need both time to connect and time to be alone. Our connections on and offline offer us not only love and support, but new perspectives on familiar issues, new ideas, critical analysis. Solitude then gives us the chance to process all that newness, reject what doesn’t work, embrace what does, and then make the necessary adjustments to our world view.

I get inspired by the world outside my door, by people, by nature, by art, by my conversations, my debates, my everyday interactions. But I can’t create out there. In the words of super Zen genius Leo Babauta, “It’s only when we are alone that we can reach into ourselves and find truth, beauty, soul.”

4.

Although I often suspect it’s just a myth, or an experience (like orgasms) too blissful to stay in all the time, I still find myself searching for the balance point between connection and solitude. I set limits to how many emails I’ll respond to in a sitting, how long I’ll play on Twitter, how many news stories and blog posts I’ll read in a day. I try to be fiercely protective of my writing time.

But the reality is that I tend to swing from one extreme to another, from connection to solitude and back again. I struggle against my restless demons, feeling out of touch and a little antsy when I focus for days on a project, and guilty about the work that isn’t getting done when I’m busy connecting, meeting with people who fascinate or love or inspire me.

If there is such a thing as balance, maybe it’s just a matter of accepting how the pendulum swings. Maybe it’s less about divvying up perfectly the hours in a day, and more about embracing the mess of a fully lived life, where people get loved and work gets done and cool stuff gets made in fits and spurts, and it’s okay that it doesn’t happen neatly. It’s okay to feel, by turns, productive and then wildly irresponsible, focused and then utterly scattered. The well gets emptied and then it gets filled, and it’s okay that I spend so little time at the half way point… everything just so.

In fact, I’m beginning to understand that it’s more than okay.

Getting it up

The thing about creativity is that unless you make a living practicing your art, it’s easy to deprioritize it. (Note: WordPress is saying deprioritize isn’t a word, but I’m sticking to it because WordPress also says that WordPress isn’t a word.)

On the to-do list you might not even have had time to write today, “make something awesome” would likely fall somewhere near the bottom, after “drop off the kids-prescription-dry cleaning-car,” “write the report,” “attend the meeting,” “reassure the boss,” “pick up the the kids-prescription-dry cleaning-car,” “do the laundry” “pay the bills,” “cook, clean, cry, collapse.”

It’s a perfectly understandable, soul-killing decision to NOT make something awesome. But as day after day passes in this frenzied “I have no time for creative badassery” mode, the muscle that creates your art – your wicked imagination – atrophies. It gets harder and harder to get it up.

So to speak.

I don’t want that to happen to you (or me), so I made a list of five ways to sneak back up on our creative natures. These ideas are small, but powerful… like Altoids.

  1. Unplug.
    Even if only for a few minutes each day, unplug your phone, your computer, your TV, your radio, and every device you have that starts with a lower case “i.” Immerse yourself in your physical surroundings. If at all possible, get dirty.
    *
  2. Take a picture.
    I seriously think cameras are magical in their ability to change our perspectives. Don’t believe me? Look at Marcie Scudder’s rainy day, Jen Erbe’s birches, jb’s kitchen table, my picture of stillness…
    *

    And – bonus! – the “make something awesome” goal is built right into this one!
    *
  3. Do something out of character.
    Wear a kilt or a tutu (or, for me, something purple). Publicly display your affection, throw yourself a surprise party, tell someone in no uncertain terms that what they do makes your knees weak, your head spin, your throat dry… and even with all that, you hope they never, ever stop.
    *
  4. Play.
    Alone or with your lover, your crush, your best friend, your kid, your parents, a perfect (or not-so-perfect) stranger. Do something, anything. Just. For. Fun.
    *
  5. Fuck should.
    For a day, an afternoon, an amazing hour of precious freedom, don’t do anything just because you should.

It may be that the awesome thing you make… is you.

xo

What we mean when we talk about art

For a long time, I considered fiction my art. My essays, articles, interviews, book reviews and blog posts were something else. Writing, but not art.

Then I read a post by Tara Mohr. It was a great post that, unfortunately, I can’t find now, but it talked about how she left the corporate world to pursue “her art,” and it was clear that she was talking about everything she does now, all the writing, speaking and teaching women to play big and believe in themselves.

I remember being struck by the phrase. Tara’s book is called 10 Rules for Brilliant Women and while I think any book that attempts to teach women how to own (and wield) their brilliance is important and worthy… is it art?

Not long after reading Tara’s piece, I read this from Stephen Elliott in the Daily Rumpus. “We were talking yesterday about how there are artists in every medium,” he said. “You can be an artist and a cook, an artist and a small business owner.” He mused that the definition may lie in what you’re trying to do and why, whether you’re out for a paycheck or genuinely trying to create something good, something meaningful.

And then I read this from Seth Godin:

Art is a uniquely human endeavor, and act of genius. Art is what we do when we do something for the first time, do it uniquely, and do it to touch someone else. The generosity is built into the act. Painting might be art, pottery might be art, customer service might be art–but none of them are art if all you’re doing is commerce, or phoning it in, or following a manual or a map.

Art is where we expose ourselves, because in addition to being human, we really have no choice but to accept failure. And it’s failure (or the potential for failure) that creates art. When we talk about emulating the bodhisattva, we accept the risk that maybe we won’t touch anyone, won’t shed any light, won’t make a difference.

The only way to do art, real art, is to embrace that risk. To do less is to hide.

That is beautiful and rings true to me. In her most recent column, Sugar at the Rumpus said, “I’ve written [the Dear Sugar column] as a body of work in a way more akin to a novel or memoir than a years-long Q & A. There’s a beginning, middle and end.” I agree completely , and there is no doubt in my mind that what Sugar has created is art.

As my notion of what constitutes art changes and expands, I find myself contemplating other questions. Is everyone who blogs “a writer,” everyone who paints “an artist,” everyone who takes pictures “a photographer”? Do the titles mean anything objective? Should they?

I’m drawn to the idea of art being about more than the finished product. I like definitions that include intent and meaning. Is my reluctance to call everyone who writes poetry “a poet” reflexive, or do we owe it to the poets who have studied and read and honed their craft not to place just anyone in their ranks?

What do you think? What constitutes art to you?

~~~~~

Some odds and ends…

First of all, I can’t thank you enough for your support and comments and enthusiasm over the launch of A Human Thing. If I’d scripted the day myself, I would not have written it as wonderful as you all made it. My gratitude knows no bounds.

If you haven’t actually watched the video I made, I hope you will. I’m proud of it, and it was, like everything on the new site, a collaboration. Lots of talent and love went into its making.

Finally, my review of Deborah Jiang Stein’s new memoir, Even Tough Girls Wear Tutus, is up at Used Furniture Review. Go see!

xo

Blast off!

Heart art by the ginormously talented Pam Carlson

It’s Launch Day! Come play with me at the new site,  A Human Thing! I’ll be back here with a Zebra Sounds post on Thursday, and then every Thursday from here on out.

I’ll post at A Human Thing on Mondays. (Hint: If you subscribe to both blogs, you don’t have to remember my schedule. And I’ll love you forever. And an angel will get its wings.)

xo

Looking back on a year of fearless love

In January last year, because I needed to believe in the power we all have to touch and lift and heal each other, I declared 2011 my year of loving fearlessly. In July, half way through my love project, I made a list of things I’d learned so far. Now, sitting here on the other end of my big, crazy, year-long experiment, I’m daunted by the thought of trying to summarize it for you. How can I possibly tell you all I’ve learned, how I’ve changed? How can I do it justice?

I don’t want to write a list.

I know, right? Me, the queen of lists, the one who believes there is something inherently worthy in a life enumerated. But I don’t want to make the love project neat for you. It wasn’t neat. It was wild and amazing. It was surprising and scary and everything I never imagined. It was exhausting and energizing. I want to sit with it, assemble it artfully like a collage, or soulfully like a prayer. I want to get up and run with it, fling myself into the new year with 2011 trailing behind me, still attached, like some gigantic, magnificent, weather-worn kite.

I don’t want to make a list.

I want to tell you about how my conversations went in 2011, how, online and off, they had an unsettling tendency to veer off course, turning, in an instant, intimate. Disarmingly honest. I want to tell you how those conversations undid me, how I tried to be cool like this is how my life always is, while inside I panicked because I didn’t know how to be that vulnerable, how to let someone else be that vulnerable with me.

I want to tell you about one conversation in particular, because it isn’t a list, and it isn’t daunting. It’s small and thorny and beautiful, and maybe it’s what the whole year was really about.

I was talking to a new friend, someone I met in 2011, a woman I very much admire. She’s smart, accomplished, hugely capable and yet not quite trusting of her own considerable abilities. We were talking about the impetus to create, where it comes from,what it’s fueled by – restlessness, curiosity, a desire to communicate, to connect.

Passion came up, of course, and then love, and before long we were talking about relationships and marriage – at first philosophically, but eventually we wandered into our own stories. We had both recently emerged from the most difficult times of our marriages, the kind of difficult times that lots of marriages don’t survive.

Because we hadn’t known each other long, we skirted up against the specifics without laying them out, both of us feeling the kinship, the common ground of our emotions, trusting that there was something valuable in our sharing. We talked about fear and guilt and faith, mistakes big enough to alter the landscape, the scary disorientation of standing in a familiar relationship and recognizing nothing.

When I think of our conversation now, I realize we were talking about love, ungainly and raw, stripped of its poetry and romance; this was real love in real life, where it doesn’t always fit nicely in a tweet or on a t-shirt or in a blog post. And it was while I was in that conversation, that amazing conversation in which the newness of our friendship made us leave the details on the curb so that we could venture unencumbered into the twisty terrain of our hearts, that I realized how alike we were… how alike we all are. It’s only the details that are different, the specific life circumstances. Underneath them is the joy, the sorrow, the grief, the longing. Looking there, beneath the surface of things, we recognize each other instantly, our shared humanity, our wounded, hopeful hearts.

In 2011, I was startled by that truth again and again, stunned by how similar we are, across genders, age groups, geographies, backgrounds. We all struggle to navigate the tricky waters of family, the changing roles of parents and children, the inevitable failings of our lovers and friends. We think of ourselves as autonomous but we aren’t really; we touch (and crash into) each other all the time, our kindness and our cruelty ripple across humanity in ways we can’t possibly know.

Last year, I tried hard to be fearless in love, and it changed me. I’m not the same person I was when I started the love project. Near the end of 2011, someone asked me if I thought I would be sad to see it end and I told her, “I think maybe I’m just getting started.”

My answer surprised me. It was a revelation. An uncharted step north.

The new site launches January 16th.